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Zeugnisse jenseits der Muster

Film evening: 

23 – 26 Feb 2021, online

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Voids of Presence

Artists talk:

Wed 8 Dec 2021, 7 pm

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Voids of Presence

Film evening:

Sat 27 Nov 2021, 7 pm

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Voids of Presence

Artists talk:

Sat 23 Oct 2021, 5 pm

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15 Buchstaben – 101 Wörter

Art in public space:

10 Dec 2020 – 10 Dec 2021, from dusk on the facade above the gallery

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Experi

Film evening:

Wed 29 Sep 2021, 7 pm

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Residency-Filme?

Film evening:

Wed 15 Sep 2021, 7 pm

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Fictions and Futures

Film evening:

Sat 11 Sep 2021, 7 pm

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Grimme Nacht II

Performance:

Thu 9 Sep 21, 8 pm, in the panorama windows of the Galerie Nord

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Zeitungsredaktion

Workshop:

Tue 7 Sep 2021, 4 pm

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Ortstermin 21

Art festival:

27. – 29. Aug 2021

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radio.MENT

Action:

21 Aug – 9 Oct 2021, each Saturday 10–11 am on Cashmere Radio

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This Is Not Funny

Exhibition tour:

Thu 5 Aug 2021, 7 pm

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This Is Not Funny

Exhibition tour:

Thu 22 Jul 2021, 7 pm

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Grimme Nacht I

Performance:

Thu 17 Jun 2021, from 10 pm

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inside:OUT Part III

Art in public space:

19 Mar – 30 Apr 2021, all day in the windows

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inside:OUT Part II

Art in public space:

5  – 18 Mar 2021, all day in the windows

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Zeugnisse jenseits der Muster

Film evening:

23 – 26 Feb 2021, online

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inside:OUT Part I

Art in public space:

12 Feb – 4 Mar 2021, all day in the windows

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Black on Black

Performance:

12 Feb – 4 Mar 2021, from dusk in the gallery windows

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Shifting Patterns: Die Türhüter (Sema Poyraz, 1988), Galerie Nord | Kunstverein Tiergarten

Die Türhüter (Sema Poyraz, 1988)

TESTIMONIES BEYOND MARGINS

A film programme curated by Can Sungu and Malve Lippmann (bi’bak)

The film programme Testimonies Beyond Margins offer alternative views on Berlin by their filmmakers who are simultaneously insiders and outsiders of their subjective realities. They shed light on migrant perspectives of Berlin by listening to their subjects with an inner self-consciousness. S. Buse Yıldırım‘s Ghostly (2019) is an attempt to create a visual cityscape that oscillates between Istanbul and Berlin by bringing together the narrative interviews with the visuals shot in both cities. With the filmmaker’s own words she “aims to design a visuality of the emplacement and rootlessness, which are very much related to the city itself as well”. Willkommen in Deutschland? [Welcomed to Germany?] (2018) by Özlem Sarıyıldız is a self-reflexive video based on the motivations and experiences of people who moved to Berlin from Istanbul in the last five years. The stories intertwine, overlap, and their borders become ambiguous whilst the video comes closer to the stories that so-called “new wave” migrants from Turkey share in common. Tülay German: Years of Fire and Cinders (2010) by Berlin based artist and director Didem Pekün and co-director Barış Doğrusöz focuses on the legacy of influential singer Tülay German from Turkey in a time of social unrest in which her music became a launch pad of political action. A vigorous and committed woman, German defied family and social expectations with her professional, political, and personal choices. Didem Pekün gives her fırst-person account of the artist as she explores the connections between art, politics, and identity within the contemporary context.

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